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02-Apr-2020 06:35 by 8 Comments

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They aim to challenge the notion of beauty by drawing ones own and contrasting it with the dark and the strange.As well they tell a story of fearlessness allowing whoever wears these objects of art to be transformed; bringing out inner confidence and strength.

In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.

An almost Christian image, I thought, almost poetic, Jesus in the hands of Mariah.

Mariah holding baby Jesus and already visioning his future death, alongside the bird as some kind of prosthesis accessory, exposing the unsaid – here, someone died in the hands of a very living someone.

Gisela Torres Photos: Gisela Torres Hats: Sahar Freemantle Makeup Artist: Sara Sorrenti Hair: Jack Merrick Thirlway Model: Danielle Ifra Yuval Atzili was my student. I have known him as a teacher knows a beloved student.

There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.

‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.

I work with it in terms of size and placement, and then begins the slow and meditative practice of putting paint to porcelain.

I obsess about how fine a line I can do; ultimately, I love seeing all the little black lines that I’ve painted come together to create an image.’ Despite the striking maturity of her work, Susan has been working in ceramic art for less than a decade.

For many years she worked as an art director/designer in advertising.

Creates some kind of life and death erotica, horrible and beautiful.

Erotica of exploitation, defiance and embarrassment, and sadness.

For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.

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