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The "bizarre style" (as it came to be called) of leather catsuits, claws, tail whips, and latex rubber only came about in the 20th Century, initially within commercial fetish photography, and taken up by dominatrices.

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Nomis characterises as the "Golden Age of the Governess".

The term was taken up shortly after by the Myron Kosloff title Dominatrix (with art by Eric Stanton) in 1968, and entered more popular mainstream knowledge following the 1976 film Dominatrix Without Mercy.

Although the term "dominatrix" was not used, the classic example in literature of the female dominant-male submissive relationship is portrayed in the 1870 novella Venus in Furs by Austrian writer Leopold von Sacher-Masoch.

The role of a dominatrix may not even involve physical pain toward the submissive; her domination can be verbal, involving humiliating tasks, or servitude.

A dominatrix is typically a paid professional ("pro-domme") as the term "dominatrix" is little-used within the non-professional BDSM scene.

The term dominatrix is sometimes used to describe a female professional dominant (or "pro-domme") who is paid to engage in BDSM with a submissive.

An appointment or roleplay is referred to as a "session", and is often conducted in a dedicated professional play space which has been set up with specialist equipment, known as a "dungeon".As fetish culture is increasingly becoming more prevalent in Western media, depictions of dominatrices in film and television have become more common.Dominatrix is the feminine form of the Latin dominator, a ruler or lord, and was originally used in a non-sexual sense. Its earliest recorded use in the prevalent modern sense, as a female dominant in S&M, dates to 1967.A study of German dominatrices by Andrew Wilson has said the trend for dominatrices choosing names aimed at creating and maintaining an atmosphere in which class, femininity and mystery are key elements of their self-constructed identity.Professional dominatrices may or may not offer sexual intercourse and other intimate sexual activities as part of their service to clients.A few photographs still exist of the women who ran their domination businesses in London, New York, The Hague and Hamburg's Herbertstraße, predominantly in sepia and black-and-white photographs, and scans from magazine articles, copied and re-copied.