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For example, a series of works on paper—quirkily libidinous riffs on modernist abstraction—makes emphatic use of the brush, playing off the idea that the implement is an extension of the hand.Müller’s highly tactile enamel paintings, which she fires onto industrial steel plates, reflect the weather and the viewer in their glassy surfaces, bringing their surroundings into the works.
To the artist, the eyes are unwelcome witnesses, like a “memory following you,” prodding viewers to think about personal wrongs committed, and to confront what they might be failing to acknowledge or else have willfully forgotten.We all have heard that “meditation is good for you”. Is that just reports from people doing it for 10 years, or are there good scientific studies showing specific benefits that I care about?In this massive article I have summarized several scientific discoveries on the benefits of meditation.Over the years, Bell has developed coating and laminating techniques in order to tint his sculptures or imbue them with metallic or smoky finishes.On the fifth-floor terrace, Bell has installed , a work consisting of six laminated glass cubes; each measures six by eight feet and encloses another six-by-four-foot glass box. (182.9 x 243.8 cm) panels and twenty-four 72 x 48 in. Collection of the artist; courtesy Hauser Wirth & Schimmel, Los Angeles.If—as the title suggests—this is a picture of America, then it is one haunted by the specter of brutality and death. Reclaimed wrought iron, wood, crushed cochineal insects, staples, industrial work mats, and carnations, 72 x 48 x 48 in. Private collection; courtesy the artist and PATRON Gallery, Chicago.
Photograph by Matt Carasella Born 1971 in Brixlegg, Austria Lives in Brooklyn, NYThroughout her career, Ulrike Müller has explored issues of gender and queer experience, and questioned how collaboration can trouble fixed notions of identity.
There are over 3,000 scientific studies on the benefits of meditation, but I have not found any blog that compiles hundreds of researches into an organized article, so I decided to fill in the gap.
These studies were based on different types of meditation, and I have included details, whenever relevant.
Although they look alike, they are not mass-produced: to make each one, the artist hand-carved a single block of wood into interlocking sections, responding to traditional whittled forms that mimic the links of a chain. Wood, collapsed: 3 ½ x 3 ½ x 18 ¼ in (8.9 x 8.9 x 47.6 cm); expanded: 17 ¾ x 17 ¾ x 4 in (45.1 x 45.1 x 10.2 cm). Photograph by Maegan Hill-Carroll and Vancouver Art Gallery Born 1977 in Chicago, ILLives in Chicago, IL, and Los Angeles, CABoth Harold Mendez’s two- and three-dimensional works feature rich textures and multilayered surfaces that the artist creates through labor-intensive processes.
The layers of materials in Harold Mendez’s create a dark, netlike pattern that nearly obscures images of floating, ghostly pairs of eyes.
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