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An engaging play of repetition and overlapping lines create an interesting visual interference.
It is like a poetic communication between the body and materials.
A starting point for a design could be anything, from wanting to show the value of a certain technique, to the way we move in a space, to how we treat our bodies.
Having a subject in mind, I start experimenting and sketching 3-dimensionally with materials, shapes and colours, creating an imaginary world or story, with its own atmosphere.
At this moment I am still producing my textiles by hand, so mass-production in the very near future might be a little too ambitious.
The technique needs more development, but I certainly believe that in the future we can have machines, that 3-dimensionally weave lightweight structures for us to use, live in and even drive in.
The volumes are built up, thread by thread, on a custom-made weaving loom.
3D-woven configurations are experimentally discovered on the spot.Can you explain more the idea of multidisciplinary that you use to describe your work?My designs start in ideas or in concepts, not in end products.I’ve always been fascinated by the human body, how it functions, how it behaves, how we present it and how it relates to a space.Fashion and Interior are all about the interaction between the body and materials.A lack of support and hollowness make them seem on the edge of breaking, though their structure is strong and sturdy.