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Algernon (Billy Quirk) is an effete city boy who is required to go West and develop some virility before he can have the hand of his girlfriend in marriage. This was 1912 and, even in the most forward-thinking film, some sexual orientations dared not speak their names.
In Fireworks a dissatisfied dreamer awakes, goes out in the night seeking a light and is drawn through the needle's eye to return less empty than before.
In one of the film's more inventive uses of visual metaphor, Algie's masculinity is represented by the size of his firearm.
When he first arrives out West, he packs a dainty silver pistol, but as he becomes acclimated to the rugged terrain, he begins packing a more butch six-shooter.
(Also contains two other espisodes: Gloria discovers women's lib, and Gloria poses in the nude.) 1971. The other patient is Prior Walter, who is visited by an angel and deserted by his self-pitying lover, Louis. Contents: Fireworks (1947, 15 min.) -- Puce moment (1949, 6 min.) -- Rabbit's moon (La lune des lapins) (1950, 16 min.) / Puck Film Productions -- Eaux d'artifice (1953, 13 min.) -- Inauguration of the pleasure dome (1954, 38 min.).
Louis moves on to a relationship with Joe Pitt, a Mormon lawyer whose closeted homosexuality drives his wife to delusions and brings his mother to New York. Music: Fireworks / Respighi ; Puce moment / Jonathan Halper ; Rabbit's moon (La lune des lapins) / the Flamingos ...[et al] ; Eaux d'artifice / Vivaldi ; Inauguration of the pleasure dome / Janacek.
Felix is forced toconfront the anger he feels toward his father forabandoning him, and the fear and shame he feels, living as an outsider in a predominantly straight, Caucasian world. Christening their battered pink tour bus "Priscilla," the trio heads for the outback and into crazy adventures in even crazier outfits. DVD 2204 Directed by Alice Guy-Blaché "A gay-themed Western seems as though it could only be a 21st-century creation.
But 93 years prior to Brokeback Mountain (2005), a gay cowboy named Algernon Allmore was already pioneering that cultural frontier in Alice Guy-Blache's comedy short Algie, the Miner (1912).
While Algie acquires the manliness required by his future father-in-law, a secondary character emerges as an unexpectedly compelling figure: Algie's bunkmate Big Jim.
When Algie tearfully nurses Jim through a terrible case of the d.t.'s, we detect some depth in their camaraderie.
Years later, John Ford and John Wayne would film a variation on the tale entitled 3 Godfathers (1948).
The triumph of Algie the Miner is not that Guy-Blaché made a Western with an evidently gay protagonist.
It appears that Jim, not Algie, is the more romantically inclined.