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REGION: NYC Allie Costa is an actress, writer, and director working in film, TV, theatre, and voiceover.She can usually be found on a set, on a stage, or in a secondhand bookstore. Her plays and screenplays include FEMME NOIR, WHO SHE COULD HAVE BEEN, BREAKING COVER, PRODIGAL DAUGHTER, and LITTLE SWAN, a Pas de Deux.

Amanda has worked with companies such as the Guthrie Theater, The O’Neill Theater Center and various theatres around Wisconsin.She has assistant directed for the 24 Hour Plays on Broadway, |the claque|, Theatre for the New City, Dixon Place, Dark Matter Productions, and Bedlam Ensemble.She currently works at Playbill, and has interned for Second Stage, New Dramatists, Primary Stages, New York Theatre Workshop and Atlantic Theater Company.The year she left FAT, she founded Beyond the Proscenium Productions in Sacramento CA and served as its artistic director until 2009.As a director, her main focus has been new work for the stage, although she has also directed adapted classics, musicals and contemporary plays.Directing credits include: Macbeth, Broadcast, An Evening with Poe, Space Voyage, Side Show and more.

She recently assisted director Joel Sass with Vanya and Sonia and Masha and Spike at the Guthrie Theater and will be heading back to work with Joe Dowling on Juno and the Paycock in 2015.Her most recent work was in November 2015 as she directed the world premiere of , a one-act play by Bess Weldonfor Portland Stages’ Studio Series in Portland, Maine, where she currently lives.Tracy is also the author of ten scripts, seven of which have been produced in California: .Amanda is a proud graduate of UW-Madison (with degrees in theatre and journalism) and the National Theatre Institute at the O’Neill Theater Center.REGION: Midwest, USA/WI Amy Corcoran is a freelance director/choreographer who works all over the country and internationally.After working as a choreographer, performer and teacher for the Full Circle Modern Dance Company (All Souls Unitarian Church, Colorado Springs), an injury propelled her to leave the world of dance behind to focus on theatre, at first as an actor and later as a director and playwright.

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