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We also had the existing building and a new rooftop extension to work with where the quality of spaces were really quite different demanding room concepts that could flex, scale and be modified to suit various architectural scenarios.When we got into the detail we had to work though requirements for each room type, incorporating a mixture of traditional luxury elements (for example a wardrobe long enough to house a Nobel-prize gala dress) contemporary art (hand picked by curator Sune Norgren) and a mix of local and international elements and design.
The monochrome interior contrasts shades of warm grey and highly textured natural materials (sawn stone, blackened steel, fine timber and polished granite) as soft furnishings and classic furniture editions. We kept a pretty constant dialogue with Sune Nordgren the curator* throughout the design process as we both wanted to build in a range of opportunities to showcase the art collection.
Autumn is our favorite roadtrip season riding through melancholic colors, from pine green, mustard yellow, orange terra, wine red to deep browns and the scents that seem to belong to a forest that slowly falls asleep after this Indian Summer ...
We discovered parc de la Ferté-Vidame by chance, with the magnificent ruin of the castle that appears to be made of cardboard when you look at it from the side.
We wanted to make a hotel experience that feels unique, distinct and memorable and but also at ease in the building and in Stockholm.
The hotel is large - 343 rooms in total and so the brief also asked us to look at a number of typologies and colour ways to create contrast and variation across the floors.
The food in the woodfire warmed five table restaurant comes straight from the kitchen garden and from surrounding producers who often deliver their regional dishes exclusively for their kitchen.
The best news is that this place is to be visited until after the New Year's Eve while the rest of Basse Normandie seems to be hibernating...
We also needed to consider the scale of the head which was a special commission – making sure that it worked for people viewing the piece from the ground floor, the first floor and how it felt to move around as people ascended the staircase.
All of the pieces are by artists already represented in the collection of Petter Stordhalen, the hotel owner so there is a personal connection.
Our Word of the Year choice serves as a symbol of each year’s most meaningful events and lookup trends.
It is an opportunity for us to reflect on the language and ideas that represented each year.
Tatjana Quax Photography family of Studio Aandacht; Ben Raf Lambers Zara Arif Tatjana Quax art, classical Scandinavian design, and sophisticated, thoughtful interiors all come together at Stockholm’s newest luxury hotel, At Six. The brief asked us to create a desirable, vibrant destination, appealing to both locals as well as international guests, with the aim of becoming the best contemporary luxury hotel in Stockholm.