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Glover began to consider selling leaked CDs from the plant.
You created a username and joined a channel, indicated by a pound sign: #politics, #sex, #computers. The Scene was organized in loosely affiliated digital crews, which raced one another to be the first to put new material on the IRC channel.
On a busy day, the plant produced a quarter of a million CDs.
Its lineage was distinguished: Poly Gram was a division of the Dutch consumer-electronics giant Philips, the co-inventor of the CD.
He began working double shifts, volunteering for every available slot.
“We wouldn’t allow him to work more than six consecutive days,” Robert Buchanan, one of his former managers, said.
Glover was a “dropper”: he fed the packaged disks into the machine. They lived in the same town, Shelby, and Glover started giving Dockery a ride to work. Glover’s father had been a mechanic, and his grandfather, a farmer, had moonlighted as a television repairman.
Dockery was a “boxer”: he took the shrink-wrapped jewel cases and stacked them in a cardboard box for shipping. In 1989, when Glover was fifteen, he went to Sears and bought his first computer: a twenty-three-hundred-dollar PC clone with a one-color monitor.The ability to regularly source pre-release leaks earned one the ultimate accolade in digital piracy: to be among the “elite.”By the mid-nineties, the Scene had moved beyond software piracy into magazines, pornography, pictures, and even fonts.In 1996, a Scene member with the screen name Net Fra Ck started a new crew, the world’s first MP3 piracy group: Compress ’Da Audio, or CDA, which used the newly available MP3 standard, a format that could shrink music files by more than ninety per cent.It ran shifts around the clock, every day of the year.New albums were released in record stores on Tuesdays, but they needed to be pressed, packaged, and shrink-wrapped weeks in advance.One of Glover’s co-workers was Tony Dockery, another temporary hire.