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LT80s: Have you had a chance to read the new book by the original MTV VJs? “Every time I think of you, I always catch my breath./And I’m still standing here, and you’re miles away, and I’m wondering why you left/ And there’s a storm that’s raging through my frozen heart tonight. LT80s: I was recently watching the video for another number one hit of yours from the late ‘80s, When I See You Smile, with Bad English. The night before we did the Missing You video, I had really long hair, and I went out and shaved it all off and bought a black suit. As somebody once said to me, “Give them something to look at,” and I thought, We went to number one, but I think the Journey fans wanted something a bit more Journey, and I think the John Waite fans wanted a bit more of the black suit. LT80s: When you think back on the ‘80s, what are some of your favorite memories? I was living in New York before , and I hadn’t got a penny. LT80s: Our readers wanted to know if there was any chance of either a Bad English or a Babys reunion? We [Bad English] ran out of ideas during our second record, and we just couldn’t take it. They’ve got a new lineup, and they’re going out and playing. What I’m trying to say is there’s no keyboards, or synthesizers, or any of the stuff that gets in the way of music. LT80s: Listeners can hear in the new album the fact that you enjoy doing it. We played Dayton about three weeks ago, we headlined. This time around, I didn’t want to go through a record label. There’s a PR person; that’s how me and you have got to talk to each other.
I was trying to get home to England and I couldn’t leave L. Alison, what do you remember the most about making the video? I’m not supposed to be here right now.” Were you nervous that you would not be able to do the song justice? I’m already nervous about Alison showing up and then the board blows. Then I developed a taste for Hank Williams and those sort of songs as I got a little bit older.I got halfway through it and got to “Missing You,” and it was redundant just to do “Missing You” because it’s set in stone. John, there is a line in the song that says, “You don’t know how desperate I’ve become/And it looks I’m losing this fight.” Did this song come from a sense of desperation? But in the end, after about 10 minutes looking at the song, we walked in and destroyed it. Krauss: I was supposed to call and we were going to talk about what keys (to sing in).My favorite female singer is Alison, and it came time to make the phone call and she said yes. Waite: It was about trying to get on with the record. I kept procrastinating because I didn’t know what to say. Give me a shot.” Krauss: When the equipment failed I was like, “Oh, yeah, we’ve got another day. ” Waite: We were in the studio and the board blew up. LT80s: I want to personally thank you for — I was in junior high when it was number one and had just been dumped for the first time. Some songs that are that big can just kill your career stone dead, so I just made the records I wanted to make, and I wasn’t playing the game, anyway. Mike Shipley was a genuine genius, and somebody that will be enormously missed by people in the music business.But also the heroine, Kat, she’s an NYPD detective, she was in love with this guy who’s disappeared, and that was their song. A lot of my songwriting is like that, I’ll just pick up the guitar and start singing.
And the book goes from there, and it keeps coming up. We’re planning to meet up in New York for some press, and maybe do something. Many songs you’ll start constructing it like it’s Lego. [makes a noise that sounds halfway between crying and a loud sigh]. When I moved to New York, she had a revue, with girls singing backup with a full band, and the house was packed. 1 with “What’s Love Got to Do With It.” Are you familiar with the band Haim? She just recorded it 50 times and stuck it in the car radio. Then he said, “You put denial in there, and it’s what every man goes through; denial.” So it made it extra twisted and kind of clever. ” And I thought it was like the neighborhood kid did well. Yeah, it really is like that; there’s no overdubs and there’s no bullshit. Where it’s been stripped down before that, maybe a little bit more acoustic-driven, this is sort of full-throttle guitar. There’s a song called, “If You Ever Get Lonely” that was on , and we put it on the new live album. But there’s a band in Nashville called Love and Theft who’ve just covered it, and they had a number one single last year, so there’s a small chance here that we’re going to have a country hit at the same time we have a rock hit. LT80s: It’s hard to believe when you listen to it, that it is live. You take the keyboards out, and you hear how accurate the guitar is. We did the club thing to get Rough and Tumble to number one, but like I said, it almost bankrupted me. You have to play in bigger places, so we’ll probably be playing lesser places, but they’ll be bigger. John: Annie Leibovitz once told me that she had it on a cassette. When I hit the chorus, I didn’t know I was going to sing, “I ain’t missing you.” Somebody said the other day, if I had just sang, “I’m missing you,” it would have been just crap. My last album, , was basically a return to a very stripped-down sound. We went back in about a month later in New Hampshire, Manchester, and we had one of those shows where we couldn’t put a foot wrong. So the roughest part about making the record was just mixing it, really.“Every time I think of you, I always catch my breath.” That opening lyric to John Waite’s “Missing You” is burned into the brain of anyone who listened to the radio in the 1980s.Now it’s a country hit too, thanks to a new version with Alison Krauss tackling those famous first words. Just a friendly reminder: don't be ashamed to admit that you have a crush on him.